Popular media’s image of black men has had a significantly strong impact on our society. It poses a danger to these men, who are often shown as angry, aggressive, uncontrollable and consequently perceived as such. Jordan Peele’s Get Out challenges this. His use of aesthetics of unease and foreboding sound are elements deeply rooted in the goth subculture. Joshua Gunn’s text “Dark Admissions”1 could help to better explore the topic of gothic horror film Get Out as a new form of expression for black men. When does horror fiction and music subculture cross the line of the representation of black body terror from imaginary to fact?