“Blasphemy have one of the harshest and most extreme images, and the music to back it up, in metal. I can see why extremists would be attracted to the band, but the truth is the truth – a black person is the co-creator of Blasphemy.” – Death Lord for Zero Tolerance Magazine
Caller of the Storms, one of the few black musicians at the forefront of black metal joined singer/bassist Nocturnal Grave Desecrator and Black Winds and drummer Black Hearts of Damnation and Impurity to form pioneering band, Blasphemy. They went on to produce what is considered one of the most influential records in war metal with their debut album Fallen Angel of Doom in 1990 with Caller of the Storms as the guitarist. Self described as black metal Skinheads, many remain confused as to the use of this term, equating Skinhead with White Pride (However, the Skinhead subculture – spawned by young working class Londoners – was originally inspired by genres such as soul, rocksteady and jazz, black music which they could relate to. Tension began to rise in the 1970s once Black Nationalism became more prevalent in early reggae ). Coining this label appears to reinforce Blasphemy’s attachment to war metal – also known as “bestial black metal” – an aggressive, chaotic, blood lathered style of black metal. Other bands include Archgoat, Impiety, In Battle and Zyklon-B.
In 1991 Black Priest of the 7 Satanic Rituals took the place of Traditional Sodomizer of the Goddess of Perversity as second guitarist. Facing multiple on and off periods since the release of their first album, they reformed in 2001 to continue recording again. Live Ritual: Friday the 13thserved as a reform show on July 2001.
Despite having a black member in a genre often attracting extremists, respect is given where respect is due. The band’s partial inactivity, intermittent record release and end of first wave influence has awarded Bathory a mythological status.
- Blood Upon the Altar (1989)
- Die Hard Rehearsal (2001)
References:  Dawning of a New Era: The Roots of Skinhead Reggae, 2005 –  Red, Gold, Black and Green: Black Nationalist Aesthetics, Crispin Sartwell, 2009 –  Discogs, Blasphemy